On January 9, 2016 I applied for my first grant in hopes of financing two upcoming piano solo Cds.
The following is the Artist Statement which I submitted.
I am pleased to submit this application for a $7,500 grant from the Artist Trust. If I were awarded the requested funding, I would use it for the following projects:
I. Beloved Literary Characters
To compose a suite of piano solos that reflect classic literary characters and to produce both recorded (CD) and written (sheet music) versions of the composition(s).
Four of the pieces to be composed will exemplify the characters from Louisa May Alcott’s beloved novel, Little Women. Each piece will reflect the personality of its character. Meg’s solo will be in the classical style; Jo’s will be an exciting march; Beth’s will be a sweet, melodious song; and Amy’s will be a fiery, high-spirited dance.
An additional three compositions will reflect characters and events from The Yearling by Marjorie Rawlings. The Storm will be represented by a spectacular technical whirlwind of a solo; Fodder Wing, the frail neighbor boy, will have a tender and poignant tune; Ol’ Slew Foot, the dangerous lurking bear, will have a song that sounds menacing and scary.
Two pieces will feature heroines from Henry Wadsworth Longfellow’s epic poems. The music that reflects “Evangeline,” the tragic story of a young woman who searches in vain for her lost love, will be lyrical and romantic. The music that reflects Laughing Water (Minnehaha), the bride in “The Song of Hiawatha,” will be playful and sound like cascading water.
The last composition will be named for Helen Hunt Jackson’s “Ramona,” a tragic love story about a Scots-Native American orphan girl who lived in Spanish California in the late 1800’s.
II. Women of France
The second project I would undertake with the Artist Trust grant is to compose a suite of piano solos entitled “Women of France.” As in the previous project, the individual pieces within this suite will be created to reflect the personalities of the women for which they are named. An as in the previous project, I will produce both recorded (CD) and written (sheet music) versions of the compositions.
The first piece planned is a longer one in four movements entitled “Voices: A Tribute to Joan of Arc.” This work will begin with phrases that sound like galloping horses, representing Joan’s life as a young warrior. The next section will be somber, reflecting divine intervention, followed by the sad music of the trial and execution. After the heavenly ascent, the sounds of galloping horses will be heard again.
In addition, the CD and written music will include eight shorter piano works that represent women important in the history of France. The composition planned for Marie Antoinette is in the style of Mozart, delicate and elegant. I have planned a solo composed for Josephine Bonaparte, wife of Napoleon, which will be flowing and lyrical. Madame Bovary, although a fictional character, will be represented by a composition with a country style of carefree innocence that spirals down to sadness and despair. The work for Josephine Baker will include music representative of the Roaring 20’s. Marie Curie’s song, in Baroque style, will emulate her orderly, scientific mind. The song for George Sand will be the most romantic, as this famous novelist was well known for her affair with Frederic Chopin. The piece for Margaret of Valois will have a “queenly” feel to it. The final composition will be dedicated to “The Unknown Burlesque Dancer” and will be a spectacular Can-Can dance number with a grand finale.
The funds will be used to compose the piano solos, record the compositions, edit the sound recording, produce the CD, edit the written music for publishing, and publish and copyright the written/sheet music.
These projects, although more ambitious, are commensurate with the successful P.E.O. Founders project I undertook previously. (My P.E.O. chapter has sold nearly 300 copies of the CD as a fundraiser!) If I am awarded the requested funds, it would be a great privilege to debut the new piano solos at the Artist Trust Meet the Artist performances.
Here are fresh new original piano solos for 2015 which portray different moods and styles.
The “Princess Di Roses” solo is a poignant, lush, haunting composition.
“Rose Buds” makes for a perfect lullaby and “Rose Petals” is a grand waltz which is
sure to set your toe a tapping.
These ten piano solos are also presently available on I tunes.
click here for link to the Rose CD on CDBaby
This is the last post for the trilogy of Christa’s Song. Instead of Around the World it’s music around Seattle thanks to Pianos in the Park hosted by Seattle. This song was played on four different, very fun theme pianos that have been auctioned off.
One of my more popular songs is “Christa’s Song”. I’ve realized not everyone knows the back story to this song.
In 1995, I met a second grade girl named Christa. She was a new student and it was my pleasure to teach her for many years. Similar to other students, I enjoyed teaching her piano and she became a fine musician. Luckily she had younger siblings and, like her, I taught them until they had similarly mastered the piano and this way I was able to continue to see and visit her. In 2010, she asked me to play her wedding and I accepted the honor.
During our meetings, we discussed which songs she would like played at the ceremony. Toward the ending of our meeting, the subject of the Bridal Procession came up. Being one of the more prominent songs of the wedding, not including the reception and first dance this was a major decision.
Christa mentioned she didn’t want to have the traditional song of “Here Comes the Bride” and asked my opinion. I was unable to restrain myself and asked if I could compose her Bridal Procession. This shocked her a bit at first because it was a surprise, who would expect their former piano teacher to offer to write them a song let alone their Bridal Procession? Christa graciously accepted and was very happy with the end result.
Each song has some sort of back story of how the inspiration or idea came to be, but this one was a life event that was very special to me, as the composer and piano teacher. It was a true honor to be included in this experience.
Link to song: http://www.cdbaby.com/cd/jillkremer7
Stay tune for part two of this trilogy and read about how far a song can really go.
Two extraordinary events have taken place this year. First, the P.E.O. Founders’ Day
Celebration in Tacoma, WA in January 2014, and second, the P.E.O. Founders’ Day
Celebration on Mercer Island, WA. in March 2014. Both events were well attended
and both featured the same program: “The Piano Solos: A Tribute to the P.E.O. Founders”.
Some of the attendees commented that they were surprised at how different each piano
solo was from each other. For example: Franc Roads’ song is an aggressive march, but
Suela Penfields’ composition reflects the era of the Roaring 20’s.
Thankfully, I’m already booked in Ellensburg, WA for January 2015, but certainly looking for
On May 9th,2014 , its my great privilege to debut “Dear Grandparent, and Grand friends” at Saint Matthew’s School.
The first graders chose their favorite style of music, their favorite melody line and then composed the lyrics!
The song covers an array of activities : from Grandma drinking tea, to spending birthdays and holidays with Grandparents and Grandfriends, to Grandpa napping all afternoon! Well done first grade!
In honor of Kay Ebert’s 2013 P.E.O. State Convention,
the new piano solo “My P.E.O. Sister” will be sold for $5 as
a convention fund raiser. This composition is the perfect gift
for a fellow P.E.O. sister or treat yourself to some inspiring