The Pale Wave Etude “Spirit”
This song is very light and uplifting. Spry with playful splashing at the end.
The Ultra Marine Wave Etude “Freedom”
This patriotic number rushes up the piano with force and courage, descending with march like precision.
Yellow Wave Etude “Optimism”
Driven by hope, this song sweeps up the piano to the pinnacle of the wave
before lyrically descending to its bright finish.
The Brown Wave Etude “Anxiety”
This dark distressful composition swirls up to crisis. Followed by dramatic crashes to
despair then relief.
Pink Wave Etude “Joy”
This short composition romps happily up the keyboard. At the apex of this
pink wave listen for the burst of joy which spirals down the piano.
Th Green Wave Etude “Irish”
This jiglike ditty is a lively dance up the piano, followed by childlike romping back down. Listen for that old Irish tune “When Irish Eyes Are Smiling”!
The Orange Wave Etude “Sense of Humor”
This floppy romping ditty is very clown like until the break of the wave happens and sounds like laughing! Be sure to listen for the punch line at the end!
The Teal Wave Etude “Soul”
P.E.O. Founders’ Music 2016 and beyond
Vancouver, WA. February 13, 2016 SW Washington Reciprocity Luncheon
Bellingham, WA. March 12, 2016 Whatcom County Founders’ Day Celebration
Spokane, WA. June 3, 2016 Washington State Convention
Ellensburg, WA. October 15, 2016 Central Washington Reciprocity
Pittsburgh, PA. October 22, 2016 Founders’ Day Concert
Tacoma, WA. June 1, 2017 Washington State Convention
Artist Statement
On January 9, 2016 I applied for my first grant in hopes of financing two upcoming piano solo Cds.
The following is the Artist Statement which I submitted.
Finger crossed!
I am pleased to submit this application for a $7,500 grant from the Artist Trust. If I were awarded the requested funding, I would use it for the following projects:
I. Beloved Literary Characters
To compose a suite of piano solos that reflect classic literary characters and to produce both recorded (CD) and written (sheet music) versions of the composition(s).
Four of the pieces to be composed will exemplify the characters from Louisa May Alcott’s beloved novel, Little Women. Each piece will reflect the personality of its character. Meg’s solo will be in the classical style; Jo’s will be an exciting march; Beth’s will be a sweet, melodious song; and Amy’s will be a fiery, high-spirited dance.
An additional three compositions will reflect characters and events from The Yearling by Marjorie Rawlings. The Storm will be represented by a spectacular technical whirlwind of a solo; Fodder Wing, the frail neighbor boy, will have a tender and poignant tune; Ol’ Slew Foot, the dangerous lurking bear, will have a song that sounds menacing and scary.
Two pieces will feature heroines from Henry Wadsworth Longfellow’s epic poems. The music that reflects “Evangeline,” the tragic story of a young woman who searches in vain for her lost love, will be lyrical and romantic. The music that reflects Laughing Water (Minnehaha), the bride in “The Song of Hiawatha,” will be playful and sound like cascading water.
The last composition will be named for Helen Hunt Jackson’s “Ramona,” a tragic love story about a Scots-Native American orphan girl who lived in Spanish California in the late 1800’s.
II. Women of France
The second project I would undertake with the Artist Trust grant is to compose a suite of piano solos entitled “Women of France.” As in the previous project, the individual pieces within this suite will be created to reflect the personalities of the women for which they are named. An as in the previous project, I will produce both recorded (CD) and written (sheet music) versions of the compositions.
The first piece planned is a longer one in four movements entitled “Voices: A Tribute to Joan of Arc.” This work will begin with phrases that sound like galloping horses, representing Joan’s life as a young warrior. The next section will be somber, reflecting divine intervention, followed by the sad music of the trial and execution. After the heavenly ascent, the sounds of galloping horses will be heard again.
In addition, the CD and written music will include eight shorter piano works that represent women important in the history of France. The composition planned for Marie Antoinette is in the style of Mozart, delicate and elegant. I have planned a solo composed for Josephine Bonaparte, wife of Napoleon, which will be flowing and lyrical. Madame Bovary, although a fictional character, will be represented by a composition with a country style of carefree innocence that spirals down to sadness and despair. The work for Josephine Baker will include music representative of the Roaring 20’s. Marie Curie’s song, in Baroque style, will emulate her orderly, scientific mind. The song for George Sand will be the most romantic, as this famous novelist was well known for her affair with Frederic Chopin. The piece for Margaret of Valois will have a “queenly” feel to it. The final composition will be dedicated to “The Unknown Burlesque Dancer” and will be a spectacular Can-Can dance number with a grand finale.
The funds will be used to compose the piano solos, record the compositions, edit the sound recording, produce the CD, edit the written music for publishing, and publish and copyright the written/sheet music.
These projects, although more ambitious, are commensurate with the successful P.E.O. Founders project I undertook previously. (My P.E.O. chapter has sold nearly 300 copies of the CD as a fundraiser!) If I am awarded the requested funds, it would be a great privilege to debut the new piano solos at the Artist Trust Meet the Artist performances.